There Is Your Car And The Open

Writing About Women's Sexuality Is Very Scary For Me Because I'm Always Afraid I'll Get It Wrong.

I Always Worry That Knowing Too Much About A Novel Or A Story Early On In Writing Will Close It Down - It Feels Fatalistic In Some Way.

Our Sense Of Self Is A Kind Of Construct. It Is In Some Ways Like A Novel, And It's Like A Fabric Of Fictions That We Patch Together From Memory.

How Can You Come To Understand Your Life When Even The Beginning Is So Complicated: A Single Cell Imprinted With The Color Of Your Eyes And The Shape Of Your Face The Pattern On Your Palm And The Moods That Will Shadow You Through Your Life. How Can You Be Alive When Every Choice You Make Breaks The World Into A Thousand Filaments Each Careless Step Branching Into Long Tributaries Of Alternate Lives Shuddering Outward And Outward Like Sheet Lightning.

I Usually Have More Than One Thing I'm Working On At Once -- I've Been Working On Three Different Novels. When I Get Stuck On One, I Hop Back And Forth. It's Sort Of Freeing: I Can Say I'm Abandoning This Thing That I Hate Forever And I'm Moving On To Something That's Good. I'll Find That I'll Go Back To [the Other Project] In A Day Or A Week And Like It Again. But That Moment Of Wanting To Trash Something -- That Virginia Woolf Moment When You Have To Be Stopped From Filling Your Pocket With Stones -- Comes Pretty Regularly For Me. Switching Is Probably A Good Thing.