The Job Of The Novel Is To

Sometimes, Despite The Fact That You're Reading Through Masses Of Material, You Just Can't Not Think About A Certain Event, For It Seems To Capture The Reality Of The Entire Situation So Much Better Than Any Set Of Statistics.

A Problem That I Have With Everything Fictional Is That Writers Are Always Having To Come Up With Sudden Artillery Explosions In The Middle Of Whatever Is Going On. The Characters Are Having Interesting, Subtle Interactions, Or Jealousies, Or Whatever It Is, And Suddenly Some Gigantic Angry Eruption Has To Happen, A Giant Gasp Where Everyone Has To Scramble Around. That's The Point Where I'm Turned Off. I Want The Dynamic Range To Be A Little Smaller. I Don't Like The Big False Bangs.

If You Write Every Day, You're Going To Write A Lot Of Things That Aren't Terribly Good, But You're Going To Have Given Things A Chance To Have Their Moments Of Sprouting.

I'm A Sucker For Interiors And Carefully, Beautifully Filmed People Sitting In A Big Room. My Appetites Are Simple.

Most Good Novelists Have Been Women Or Homosexuals. The Novel Is The Triumphant Evolved Creation, One Increasingly Has To Think, Of These Two Groups, Who Have Cooperated More Closely In This Domain Than In Any Other.