It Can Happen That A Book, Unlike

Malevich, Lissitsky, Kandinsky, Tatlin, Pevsner, Rodchenko... All Believed In The Social Role Of Art... Their Works Were Like Hinged Doors, Connecting Activity With Activity. Art With Engineering; Music With Painting; Poetry With Design; Fine Art With Propaganda; Photographs With Typography; Diagrams With Action; The Studio With The Street.

A Photograph Is A Meeting Place Where The Interests Of The Photographer, The Photographed, The Viewer And Those Who Are Using The Photograph Are Often Contradictory. These Contradictions Both Hide And Increase The Natural Ambiguity Of The Photographic Image.

[o]ften Art Has Judged The Judges, Pleaded Revenge To The Innocent And Shown To The Future What The Past Suffered, So That It Has Never Been Forgotten. . . .

Propaganda Requires A Permanent Network Of Communication So That It Can Systematically Stifle Reflection With Emotive Or Utopian Slogans. Its Pace Is Usually Fast.

The Essence Of Songs Is Neither Vocal Nor Cerebral But Organic. We Follow Songs In Order To Be Enclosed. We Find Ourselves Inside A Message. The Unsung, Impersonal World Remains Outside, On The Other Surface Of A Placenta. All Songs, Even When Their Content Or Rendering Is Strongly Masculine, Operate Maternally.