I Love Variation In All Forms: In

I'm Not Overly Analytical, And I Don't Set Out To Make Something Particularly.

I Never Start With The Story First, Which Is Maybe Obvious, Because The Narrative Line Of My Films Is Really Not That Strong Or Dramatic. They're Very Simple.

When I Left Ohio When I Was 17 And Ended Up In New York And Realised That Not All Films Had The Giant Crab Monsters In Them, It Really Opened Up A Lot Of Things For Me.

It Meant A Kind Of Real Liberation Of Expression. It Embraced Amateurism In A Way That I Still Am Inspired By. It Was Not About Trying To Get, You Know, Stadium Gigs Or Even Commercial Radio Play Or Even Record Deals For That Matter. It Was About Saying Something 'cause You Meant It, And Expressing Something That You Felt. And That Was Primary For That - Whatever The Scene, Whatever Punk Rock Means, It Was Very, Very Important To Me, Very Formative.

I Know From The Past, Critics Often Say My Films Don't Have Any Plot, That Kind Of Thing. I'm Used To Being Told, "yeah, It's Slow And Has No Plot."