For Example, In My Dorm, At The

This Might Seem Off The Track, But An Interesting Thing To Me That Others Could Talk About Better Than I, But One Of The Growth Areas In Photographic Education Has Been The So-called Slow Photography.

"you Know You Are Seeing Such A Photograph If You Say To Yourself, "i Could Have Taken That Picture. I've Seen Such A Scene Before, But Never Like That." It Is The Kind Of Photography That Relies For Its Strengths Not On Special Equipment Or Effects But On The Intensity Of The Photographer's Seeing. It Is The Kind Of Photography In Which The Raw Materials-light, Space, And Shape-are Arranged In A Meaningful And Even Universal Way That Gives Grace To Ordinary Objects."

I Did A Story For The Geographic On Meriwether Lewis And William Clark, And Stephen Ambrose Was The Writer. He Said, "i've Got The Easiest Job In The World. I Just Have To Re-tell The Story Of The Greatest Fishing, Camping, Hunting, Canoeing Trip Of All Time. You, Sam, Have The Hardest Job, Which Is, Pretend Like Nothing Has Happened In The Last 200 Years.

In The Last Workshop I Taught, A Woman Flew In From Thailand. She's A Medical Doctor In Bangkok. I Asked Her In Her One-on-one Session Where She Wanted Photography To Be In Her Life.did She Want A Second Career? Was It About Earning Money? Or Was It Art? And She Said "none Of Those. I Want Photography To Be Serious In My Life." It Would Be Like Someone Wanting Music, Like Piano Playing, To Be A Richer, Deeper, And Maybe Even Harder Experience.

It's More Difficult Now, To Be A Geographic Photographer, Than It Was When I Came Along. And It Wasn't Easy At That Time.