And Dance Is Wonderful Because Dance Is

I Actually Build My Dreams Around The Dancers I've Got In My Company.

I'm Not Interested In A Group Of People With Some Sort Of Incredible Homogeny,a Group That Can Do The Movement I Want. I'm Interested In People Whocan Take The Movement Somewhere.

I Always Figure I Have This Tree And There's Always Some Green Fruit That's Not Ready To Pick Or Blossoms That Are Ready To Flower; There Are Always Some Ready To Drop Off Too.

It's The Emotional Trigger Points That Are Important To Me Because I Know If I Could Believe In The Characters And Try And Imagine How They Felt Then I'd Be Able To Do Something Quite Honest.

I Wanted To Give People - Which Is Fairly Bizarre Considering My Whole Life Is Contemporary Dance Really - I Wanted To Give People A Really Fulfilling Sense That They Had Seen A White Classical Ballet - In A Very Pure Form.